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"朦胧诗"后的两大诗歌写作倾向评析
引用本文:高波. "朦胧诗"后的两大诗歌写作倾向评析[J]. 楚雄师范学院学报, 2006, 21(1): 32-39
作者姓名:高波
作者单位:厦门大学,福建,厦门,361005
摘    要:“朦胧诗”是“传统诗学精神的复苏”而非“新美学原则的崛起”。“知识分子写作”和“民间写作”是超越“朦胧诗”的不同途径并真正萌生了“新的审美原则”。这两种写作倾向不仅在理论上显出了创新意义,也为具体的诗歌写作开辟了新的领域和可能。遗憾的是,“知识分子写作”在作“形而上”的攀升中,诗意关注和价值立场越来越空疏,语言越来越神秘化;在“关注当下”时,“民间写作”反而被“当下”淹没进而消弭了精神向度和价值立场,语言也越来越嬉戏化。辨析两种写作倾向所昭示的新路和陷阱,有助于把握未来诗歌写作的路途。

关 键 词:“朦胧诗”  “知识分子写作”  “民间写作”  新美学原则  新路和陷阱
文章编号:1671-7406(2006)01-0032-08
收稿时间:2005-10-25
修稿时间:2005-10-25

An analysis of the two poetry trends after misty poetry time
GAO Bo. An analysis of the two poetry trends after misty poetry time[J]. journal of chuxiong normal university, 2006, 21(1): 32-39
Authors:GAO Bo
Abstract:Misty poetry is the resuscitation of traditional poetics,by no means of new esthetics principle growing up.Intellectual writing and folk writing are two ways to transcend misty poetry and also germinated new aesthetic principle.These two writing trends not only embodied the theoretical innovation,but also pioneered the new field and likelihood of poem writing.To discriminate the implicit of new methods and limitation of the two kinds of writing trends are beneficial to the way of future inditement.
Keywords:misty poetry  intellectual writing  folk writing  new aesthetic principle  new methods and limitation  
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