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抵抗的艺术和艺术的反打 --阿多诺现代艺术理论浅析
引用本文:袁志准.抵抗的艺术和艺术的反打 --阿多诺现代艺术理论浅析[J].喀什师范学院学报,2005,26(5):49-52.
作者姓名:袁志准
作者单位:广西师范大学,中文系,广西,桂林,541004
摘    要:阿多诺倚重的精神化现代艺术断然抵抗和否定同一性现实的谎言,以异质性的张狂反射出全面管理的社会中人类生存状况的种种悖谬,给人以惊颤效应,以期培养和发展一种迷失在虚假的意识形态中和已被意识形态化了的社会现实中的真理意志,最终实现在非理性整体化社会中沉沦的个人主体性自救.这种艺术必然构成对被他律性同化的艺术的证伪和艺术自律性的捍卫,是艺术在不断反思中超越自我的追问.

关 键 词:现代艺术  抵抗  主体性  反打  自律性
文章编号:1006-432X(2005)05-0049-04
收稿时间:2005-04-07
修稿时间:2005-04-07

The Resistant Art and the Reaction of Art --A Simple Explanation of Adorno's Modern Theory
YUAN Zhi-zhun.The Resistant Art and the Reaction of Art --A Simple Explanation of Adorno''''s Modern Theory[J].Journal of Kashgar Teachers College,2005,26(5):49-52.
Authors:YUAN Zhi-zhun
Institution:Language and Literature Department,Guangxi Normal University, Guilin 541004, Guangxi, China
Abstract:The spiritual modern art relied by Adorno drastically resisted and opposed the lies of identical reahty, and reflected all kinds of fallacy about the situation of human life in the wholly managed society through a foreign characteristic impudence, then brought about a horrifying redponse, in order to cultivate and develop a true will which was missing in the false ideology and ideological social reality, and finally fulfill the ecu rescue of individual subject which was sinking in the irrational holistic society. This kind of art will necessarily construct a demonstrable falsity about the art assimilated by heteronomy and a defending of art's self-discipline, and it is art's self-question in the process of mulling and transcending itself.
Keywords:Modern art  Resist  Subject  Oppose  Self-discipline
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