| 跨文化视角下的中西绘画美学比较体系建构 |
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| 引用本文： | 李舫. 跨文化视角下的中西绘画美学比较体系建构[J]. 四川教育学院学报, 2014, 0(11): 70-73 |
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| 作者姓名： | 李舫 |
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| 作者单位： | 成都师范学院美术学院,成都611130 |
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| 基金项目： | 四川省教育厅人文社科课题“跨文化视角下的中西绘画美学比较研究”（14SB0282）阶段性成果 |
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| 摘 要： | 绘画是一门独特的人文学科,它的发展有一整套完善的美学理念,这种美学理念影响并指导着中西传统绘画的发展与创新.而中西传统绘画美学由于中西方在思想源流、文化内涵、技巧方法上的不同又存在一定的差异.中西方绘画美学客观的比较分析,对加强绘画美学理论体系的建构起着至关重要的作用,中西方绘画美学比较体系的建构也有利于互相取长补短,更好地丰富和发展中西方民族绘画艺术.
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| 关 键 词： | 中西绘画美学 比较体系 建构 |
Construction of Painting Aesthetic Comparative system of China and West from the Cross-Cultural View |
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| LI Fang. Construction of Painting Aesthetic Comparative system of China and West from the Cross-Cultural View[J]. Journal of Sichuan College of Education, 2014, 0(11): 70-73 |
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| Authors: | LI Fang |
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| Affiliation: | LI Fang(School of Fine Arts, Chengdu Normal University, Chengdu 611130, China) |
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| Abstract: | Painting is a unique humanity discipline, whose development has a whole set of perfect aesthetic concept whch influences and guides the development and innovation of Chinese and western traditional paintings. There is difference in the thoughts origin, cultural connotation, skill method between Chinese and western traditional painting aesthetics. A comparative analysis of Chinese and western painting aesthetics plays an important role in the construction of painting aesthetics theory system. The construction of painting aesthetic comparative system in china and west can help to draw on each other＇s strength and develop and enrich the painting art of China and the west. |
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| Keywords: | painting aesthetic of China and the west comparative system construction |
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