| 明清时期情理之辨的异相美学取向 |
| |
| 引用本文： | 黄南珊.明清时期情理之辨的异相美学取向[J].西北师大学报,2001,38(3):45-51. |
| |
| 作者姓名： | 黄南珊 |
| |
| 作者单位： | 湖北省社会科学院文学研究所，湖北武汉430077 |
| |
| 摘 要： | 明清时期的情理之辨主要表现为情感美学观与理性美学观的歧异，两分别标示了以情为本、抒情求美和情理融合（以理为主）、美善相兼的不同美取向。
|
| 关 键 词： | 尚情论派 尚理论派 情感美学观 理性美学观 情 理 明代 清代 文艺美学 |
| 文章编号： | 1001-9162(2001)03-0045-07 |
| 修稿时间： | 2000年4月15日 |
Aesthetic Orientations Reflected in the Debate on the Differentiation between Sentiment and Reason in the Ming-Qing Period |
| |
| HUANG Nan-shan.Aesthetic Orientations Reflected in the Debate on the Differentiation between Sentiment and Reason in the Ming-Qing Period[J].Journal of the Northwest Normal University(Social Sciences),2001,38(3):45-51. |
| |
| Authors: | HUANG Nan-shan |
| |
| Abstract: | The debate in the Ming-Qing period on the differentiation between sentiment and reason consists mainly in discrepancies between the two aesthetic concepts of sentiment and reason respectively. These aesthetic concepts are each marked by different aesthetic orientations characteristic of taking sentiment as the fundamental, seeking after the beautiful in expressing feelings, fusing emotion and reason (with the latter as the main Part), and incorporating both of them at the same time. |
| |
| Keywords: | the Ming-Qing period school of valuing sentiment school of valuing reason aesthetic concept of sentiment aesthetic concept of reason |
| 本文献已被 CNKI 维普 等数据库收录！ |
