| 20世纪初中国新诗的三大流派 |
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| 引用本文： | 李登忠.20世纪初中国新诗的三大流派[J].安庆师范学院学报(社会科学版),2004,23(5):92-94. |
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| 作者姓名： | 李登忠 |
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| 作者单位： | 安徽大学,中文系,安徽,合肥,230039 |
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| 摘 要： | 在20世纪初期中国诗坛上出现了三种流派的新诗：自由诗派以创造完全解放的新诗体奠定了中国新诗的基础；格律诗派总结新诗运动的经验，对白话诗进行了反思与重构；象征主义诗人作为一支崛起的“异军”，为中国新诗开刨了新的诗风。“三大流派”诗人们的共同努力，促进了20世纪初期中国新诗的大繁荣。
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| 关 键 词： | 自由体诗 新格律诗 象征主义 |
| 文章编号： | 1003-4730(2004)05-0092-03 |
A Comment On Chinese New Verse in the Early 20th Century |
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| LI Deng-zhong.A Comment On Chinese New Verse in the Early 20th Century[J].Journal of Anqing Teachers College(Social Science Edition),2004,23(5):92-94. |
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| Authors: | LI Deng-zhong |
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| Abstract: | There appeared three types of new verse in China's poetry stage: Free verse laid Chinese new verse foundation by the new type of complete liberation. The poets of octave summed up the experience of new verse movements and also had a self-examination and rebuilding. Symbolists set up a new Chinese poetry type as a new force suddenly coming to the fore. The poets of the three worked hard and brought prosperity of free verse in China in the early 20th century. |
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| Keywords: | free verse new octave symbolism |
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