| 青海土族题材美术创作的流变与建构 |
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| 引用本文： | 宋卫哲.青海土族题材美术创作的流变与建构[J].青海师范大学学报(哲学社会科学版),2010,32(1):120-123. |
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| 作者姓名： | 宋卫哲 |
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| 作者单位： | 云南民族大学艺术学院,云南昆明,650031 |
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| 摘 要： | 民族、民俗风情是围绕美术创作选题的重要组成部分,这种艺术的地方特色,是构成中华民族艺术特色的重要组成部分,构建出有别于它地的“地域性”艺术特征。本文以土族题材美术创作为例,结合当代青海美术创作现状,用艺术流变理论分析论证了地域性创作不仅是一个题材连续发展的起点,也是地域性美术家群体最终形成的必然结果。
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| 关 键 词： | 青海 地域性 土族题材 美术创作 |
The Evolution and Constraction of Qinghai Du Nationality Theme Art Produce |
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| SONG Wei-zhe.The Evolution and Constraction of Qinghai Du Nationality Theme Art Produce[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2010,32(1):120-123. |
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| Authors: | SONG Wei-zhe |
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| Institution: | SONG+Wei-zhe+(Art+Department+of+Yunnan+Nationalities+University,Kunming+650031,China) |
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| Abstract: | Nation and folk-custom take the important part in selecting subject.The regional characteristic is an important part in composing Chinese art characteristic and forms the area own art feature.Taking Tu nationality theme for example,combining with the actuality of Qinghai art producing and analyzing in art evolution theory,the passage shows that,regionally produceis a new start of the theme's continuable development and a certain result of the forming of artist colony. |
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| Keywords: | Qinghai regionally Tu nationality theme art produce |
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