| 边缘姿态的写作--析萧红的香港时期文学创作 |
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| 引用本文： | 袁洪权,陈进东.边缘姿态的写作--析萧红的香港时期文学创作[J].沙洋师范高等专科学校学报,2004,5(2):53-57. |
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| 作者姓名： | 袁洪权 陈进东 |
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| 作者单位： | 四川西昌学院,中文系,四川,西昌,615022 |
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| 摘 要： | 萧红的香港学创作对她的学史评价相当重要，与战时的主流学进行对照，她的创作显示出边缘的姿态，其差异性体现在三个方面：一是对战时学主题的深层思考，真正继承鲁迅遗风，捍卫启蒙学，而不是屈服于战时的主流，改变自己的学写作态度；二是感情基调的差异，主流学要求的是热的情调，而萧红却是在冷静的思考中以冷的情调叙说自己多重身份的感同身受，并以学的悲剧性作为支撑；三是写作手法与写作风格上的独特性。
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| 关 键 词： | 萧红 边缘姿态 战时主流文学 差异 香港时期 |
| 文章编号： | 1672-0768(2004)02-0053-05 |
| 修稿时间： | 2003年11月29 |
Borderline Writing: Main Current Literature's Rebellion--Analysis of Literature Creation by Xiao Hong in Hong Kong |
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| YUAN Hong-quan,CHEN Jin-dong.Borderline Writing: Main Current Literature''''s Rebellion--Analysis of Literature Creation by Xiao Hong in Hong Kong[J].Journal of Shayang Teachers College,2004,5(2):53-57. |
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| Authors: | YUAN Hong-quan CHEN Jin-dong |
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| Abstract: | Xiao Hong's travel to Hongkong is not only her last journey,but also her last literature creation which is very important to the evaluation of her literary history.This passage is trying to appraise her Hongkong literary creation.Compared with main stream of wartime literature,her creation manifests rebellious spirit.This spirit is as follows:rebel lious spirit of main current of wartime literature ;differences of emotions;writing technique and writing style. |
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| Keywords: | Xiao Hong borderline writing mainstresm literature of wartime dissimilarities Hongkong period peried |
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