| 论蒙古族神话《天女之惠》的多彩组合美 |
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| 引用本文： | 贺·宝音巴图.论蒙古族神话《天女之惠》的多彩组合美[J].内蒙古师范大学学报(哲学社会科学版),2003,32(3):20-23. |
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| 作者姓名： | 贺·宝音巴图 |
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| 作者单位： | 内蒙古师范大学学术期刊社,内蒙古,呼和浩特,010022 |
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| 摘 要： | 《天女之惠》是蒙古族杜尔伯特部落祖先神话之一。这篇神话是神本主义文化向人本主义文化过渡时期的产物。其中神本主义文化因素开始趋于淡化、软化;人本主义文化因素逐步强化;男性主体地位和阳刚之气逐步增强。在其种种多彩组合美之中,人本之美、人文之美、主体之美、阳刚之美占主导地位。
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| 关 键 词： | 《天女之惠》 多彩组合美 神本主义 人本主义 |
THE COMBINED BEAUTY OF RICH COLORS EXPRESSED IN THE MONGOLIAN FAIRY TALE "THE FA VOR OF THE HEAVENLY MAIDEN" |
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| HE BAOYINBATU.THE COMBINED BEAUTY OF RICH COLORS EXPRESSED IN THE MONGOLIAN FAIRY TALE "THE FA VOR OF THE HEAVENLY MAIDEN"[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2003,32(3):20-23. |
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| Authors: | HE BAOYINBATU |
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| Abstract: | The Favor of the Heavenly Maiden" is on e of the fairy tales of the ancestors of the Durbat Tribe of the Mongols. It is a product of the transition from divinity to humanism. In the story the culture di vinity became weaker while the culture of humanism increased and the subject pos ition and the manly beauty of the male sex grew stronger. In this combined beaut y of rich colors, the beauty of man dominated. |
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| Keywords: | The Favor of the Heavenly Maiden" the combined beauty of rich colors divinity |
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