试析卡夫卡和弗洛姆之"自我"的本质差异 |
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引用本文: | 杨嘉乐.试析卡夫卡和弗洛姆之"自我"的本质差异[J].宜宾学院学报,2006,6(4):73-75. |
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作者姓名: | 杨嘉乐 |
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作者单位: | 西南大学,文学院,重庆,北碚,400715 |
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摘 要: | 卡夫卡作品中的主人公往往表现出虚弱。弗洛姆针对这种虚弱,提出了“人本良心”作为解决方案。但是,人本良心的基石乃是自我,而卡夫卡的作品本身就已经证明了自我不过是现代社会的一种假设,虚无软弱反而是更为真实的生存状态。
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关 键 词: | 卡夫卡 自我 饥饿艺术家 |
文章编号: | 1671-5365(2006)04-0073-03 |
收稿时间: | 11 17 2005 12:00AM |
修稿时间: | 2005年11月17 |
Kafka's and Flom's Essential Difference of Ego in Hungriness Artist |
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Authors: | YANG Jia-le |
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Institution: | School of Chinese Literature, Southwest Normal University, Chongqing 400715, China |
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Abstract: | The actors in Kafka's works seem to be weak. So Flom suggests that they should have more humanism conscience to solve this problem. And the foundation is ego. But Kafka s works have confirmed that the ego is nothing but the idol made by modem society. It is the truth that humankind is weak. |
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Keywords: | Kafka Ego Hungriness Artist |
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