| 北方民族文化对北曲的影响 |
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| 引用本文： | 高人雄.北方民族文化对北曲的影响[J].韩山师范学院学报,2005,26(4):21-26. |
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| 作者姓名： | 高人雄 |
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| 作者单位： | 西北民族大学,语言文化传播学院,甘肃,兰州,730030 |
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| 摘 要： | 北曲的产生。主要受女真、蒙古以及与之族源相近的其他北方民族的音乐文化的影响。为了适应新的音乐，北曲在旧有词的基础上加以翻造而成。可以说北曲是词的变体。北曲具有鲜明的地域特色和北方民族文化特色，且少数民族作家众多，给北曲带来了不同民族的多样风格。南移之后有汲取南词的营养，从而成就了北曲（元散曲）卓越的风姿。
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| 关 键 词： | 女真族 蒙古族 少数民族乐曲 北曲 民族作家 河朔贞刚气 |
| 文章编号： | 1007-6883（2005）04-0021-06 |
| 收稿时间： | 2005-02-28 |
| 修稿时间： | 2005-02-28 |
BEIQU Influenced by the Culture of Northen China Nationalities |
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| GAO Ren-xiong.BEIQU Influenced by the Culture of Northen China Nationalities[J].Journal of Hanshan Teachers College,2005,26(4):21-26. |
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| Authors: | GAO Ren-xiong |
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| Abstract: | The produce of BEIQU which is mainly influenced by the music of Nuzhen, Mongolia and other related nationalities. In order to fit in with the new music, the Ci-poem became different and turned into Qu, which is a variant of Ci-poem. BEIQU has particular cultural characteristics of NOrth China region. Many a minority-nationality authors bring different styles into BEIQU. Moreover, When BEIQU was transferred to South China, it was influenced by Ci-poem of South China, it got greater achievements. |
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| Keywords: | Nuzhen nationality Music of minority nationality BEIQU Minority-nationality authors robust style of Northern peoples |
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