| 从叙事结构的多元化看第四代电影的创作追求与艺术价值 |
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| 引用本文： | 李燕.从叙事结构的多元化看第四代电影的创作追求与艺术价值[J].信阳师范学院学报(哲学社会科学版),2005,25(2):57-60. |
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| 作者姓名： | 李燕 |
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| 作者单位： | 南京大学,中文系,江苏,南京,210093 |
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| 摘 要： | 电影的叙事结构又可以称之为文本结构或影片总体结构。对于一部影片来说,叙事结构是非常重要的,但对观众而言,结构并非直观可见的。第四代电影冲破传统戏剧式电影结构的束缚,积极寻找新的电影表达手段和叙事技巧,完成了中国电影从传统向现代的转变。
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| 关 键 词： | 电影 第四代 叙事结构 多元化 |
| 文章编号： | 1003-0964(2005)02-0057-04 |
| 修稿时间： | 2005年1月25日 |
Varieties of the narrative structure: The aspiration and merits of the 4th generation of Chinese film |
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| LI Yan.Varieties of the narrative structure: The aspiration and merits of the 4th generation of Chinese film[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2005,25(2):57-60. |
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| Authors: | LI Yan |
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| Abstract: | The narrative structure of a film can also be called a text structure or the framework of a film. It's fundamental to a film, but on the other hand, non-visual object to the audience. The 4th generation had broken the bondage of the traditional drama structure, aspiring after new narrative expressions and techniques. Consequently, they accomplished the transformation of Chinese Film from traditional to modern. |
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| Keywords: | film the 4th generation the narrative structure varieties |
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