| 徐（谷共）《溪山琴况》中的儒道佛思想 |
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| 引用本文： | 李美燕.徐（谷共）《溪山琴况》中的儒道佛思想[J].湖南师范大学社会科学学报,2005,34(2):10-15. |
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| 作者姓名： | 李美燕 |
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| 作者单位： | 台湾屏东师范学院语文教育系，台湾屏东90007 |
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| 摘 要： | 明末清初徐(谷共)共的《溪山琴况》是中国古琴美学史上最重要的作，其内容乃是植基于儒道佛思想的影响下，以二十四况来论述古琴的演奏技巧与美感意境，然而徐(谷共)如何将儒道佛思想融入古琴艺术中?本先将散见于历代琴论与琴谱提叙之所论略作简要式的回顾，再看徐谷共对前人观点的传承是否随时空位移，而有逸出传统范式之外的新蕴产生。
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| 关 键 词： | 徐（谷共） 溪山琴况 古琴 音乐美学 儒家 道家 佛家 |
| 文章编号： | 1000-2529(2005)02-0010-06 |
| 修稿时间： | 2004年10月21 |
The Thoughts of Confucianism, Taoism and Buddhism in His-Shan's Epithets on Ch'in Music by Hsu Hong |
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| LEE Mei-yen.The Thoughts of Confucianism, Taoism and Buddhism in His-Shan''''s Epithets on Ch''''in Music by Hsu Hong[J].Journal of Social Science of Hunan Normal University,2005,34(2):10-15. |
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| Authors: | LEE Mei-yen |
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| Abstract: | His-Shan's Epithets on Ch'in Music by Hsu Hong, the end of Ming Dynasty, was the most important treatise on ku-ch'in art in Chinese history of music esthetics. There are 24 esthetical articles of the ku-ch'in art in His-Shan's Epithets on Ch'in Music, based on Confucianism,Taoism,Buddhism, touched upon artistic conceptions and esthetical thoughts. By examining and review ku-ch'in materials of all the past dynasties, then the author reveals how Confucianism,Taoism,Buddhism influenced the ku-ch'in art and whether His-Shan's Epithets on Ch'in Music by Hsu Hong had another new opinions beyond the traditional ideas or not. |
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| Keywords: | Hsu Hong His-Shan's Epithets on Ch'in Music ku-ch'in art Musical esthetic Confucianism Taoist Buddhism |
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