民国时期何其芳研究回溯

自1930年代中期始,已有文章对何其芳的创作进行评论,民国时期的相关评论主要集中在三个方面:对何其芳早期作品《汉园集》、散文集《画梦录》的评论;对何其芳延安时期文艺思想的评议;1940年代对何其芳散文及创作道路转向的评论。民国时期对何其芳散文创作的研究居多,有论者提出"何其芳体",因当时何其芳《画梦录》影响较大,成为不少散文写作者模拟的对象;而对何其芳创作道路转向,1930年代末期开始即有不少敏锐的评论者便已给予了相当的关注,一直延续到1940年代末;另外,何其芳创作的现代性、原创性及所受中外文化影响等论题,民国时期论者亦有所涉及。

A Review of Researches about He Qifang during Republic of China

Since the mid-1930s,there have been criticisms about He Qifang’s literary creation.The criticisms during Republic of China were mainly focused on three aspects: the criticisms about He Qifang’s early works A Collection of Han Garden,and prose collection Painting Dream Record,criticisms about his literary thoughts during the time of Yan’an,and the reviews about his proses and creations in late 1940s and his change of creation.During Republic of China,many of the researches about He Qifang were focused on his prose creation.Some researchers proposed"He Qifang style",because of the great influences of Painting Dream Record which had even become the readers’object of imitation.As for his change of creation,many acute critics had paid considerable attention to it since the late 1930s and lasted till the late 1940s.Additionally,such topics as the modernity,originality of his creation and his being influenced by Chinese and foreign cultures were also discussed during that period.