| 奇观电影与奇观电视的两种审美视阈 |
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| 引用本文： | 廖建国. 奇观电影与奇观电视的两种审美视阈[J]. 闽江学院学报, 2012, 33(6): 106-110 |
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| 作者姓名： | 廖建国 |
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| 作者单位： | 福建商业高等专科学校新闻传播系,福建福州,350012 |
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| 摘 要： | 视觉时代，奇观电影已成为电影的另一种审美范式。但它是否将同样具有奇观电视（自然纪录片）纳入这一审美视域，自然纪录片奇观性又有哪些自身的特点，文章将从四个方面进行比照和论述。
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| 关 键 词： | 奇观 电影 自然纪录片 视屏类型 文本结构 审美体验 文化意义 |
Two Aesthetic Perspective of Spectacle Movies and Spectacle TV |
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| LIAO Jian-guo. Two Aesthetic Perspective of Spectacle Movies and Spectacle TV[J]. Journal of Minjiang University, 2012, 33(6): 106-110 |
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| Authors: | LIAO Jian-guo |
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| Affiliation: | LIAO Jian-guo(Department of Journalism and Communication,Fujian Commercial College,Fuzhou Fujian 350012) |
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| Abstract: | In this visual age, spectacle movies has become another aesthetic style of movies. But we don＇t know if it factors spectacle TV （ natural docvmentary） into this aesthetic boundary and how many characteristics of spectacle do the natural documentary get. This article compares and discusses these from four aspects. |
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| Keywords: | spectacle movie natural documentary video type text structure aesthetic experience cultural meaning |
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