中国文艺“反修”时期对苏联文论的“逆反-错位式”接受

中国20世纪60—70年代开展的文艺“反修”，一方面以毛泽东关于无产阶级专政和防止资本主义复辟的理论为标准，对苏联当代文学与文论进行批判，同时又重拾苏联斯大林时代的某些传统文论观点，作为批判的理论武器，从而形成对苏联文论的“逆反一错位式”接受。当年翻译出版的《苏共领导下的苏联文化革命》、《作家的创作道路和文学的发展》、《勃列日涅夫集团关于文艺问题的决议和言论汇编》，以及国内高校编写的文艺理论教材《马克思主义文艺理论基本问题》，就体现了这种对苏联文论的接受特点。梳理这段历史经验，有助于对马克思主义文艺理论和社会主义文艺事业正确发展道路的深入思考，也有助于认清中国文论存在的问题及错误根源。

The Antagonistic and Dislocated Acceptance of Soviet Literary Theory in the Period of Anti - revisionist Literature

Based on Mao Tsedong＇ s theories of proletarian dictatorship and prevention of capitalist restoration, China＇s anti- revisionist literature in 1960- 1970 severely criticized Soviet modem literature and literary theory. At the same time, some Soviet traditional literary views of Stalin period were reused as weapons in the criticism and thus brought into China the antagonistic and dislocated acceptance of Soviet literary theory. The characteristics of this acceptance were shown in the translated books as The Soviet Cutural Revolution under the leadership of Soviet Communist Party, Writers＇ Creative Roads and Literary Development, Assembly of Brezhney J Group＇ s Decisions and Speeches on Literature and Arts and in some intemat university text - books as The Basic Problems of Marxist Theory on Literature and arts. A stmmlary of these historical experiences can help to think deeply the correct developing roads of Marxist theory of literature and arts and socialist literary cause. It can also help to make clear the routes of problems and mistakes in Chinese literary theory.