| 谈京剧腔体与常用板式 |
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| 引用本文： | 莫海斌. 谈京剧腔体与常用板式[J]. 科教文汇, 2014, 0(5): 141-142 |
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| 作者姓名： | 莫海斌 |
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| 作者单位： | 安徽省徽京剧院,安徽合肥230001 |
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| 摘 要： | 京剧的唱腔是塑造人物形象的主要艺术手段，它是由不同类型的声腔和板式，结合人物性格，戏剧冲突，唱词内容和语言特点来设计的。京剧的腔体主要分西皮、二黄两大腔系，合称皮黄腔。板式颇多，一段唱腔运用什么板式或几种板式，是根据剧情发展和人物感情变化及唱词内容等设计的，是一种综合运用。
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| 关 键 词： | 京剧 腔体 板式 |
Discussion on Music for Voices in Beijing Opera and Common Types of Meter for Music |
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| Wang Shiping. Discussion on Music for Voices in Beijing Opera and Common Types of Meter for Music[J]. The Science Education Article Collects, 2014, 0(5): 141-142 |
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| Authors: | Wang Shiping |
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| Affiliation: | Wang Shiping |
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| Abstract: | The music for voices in Beijing Opera is a major artistic means of shaping characters, and it is designed with different types of tune and meter for music, combined with personalities, opera conflicts, libretto content and language characteristics. The music for voices in Beijing Opera is mainly divided into the two types as Xipi and Erhuang, collectively referred to as Pihuang. There are a lot of types of meter for music. What type of meter or which types of meter will be used for a piece of music is designed in accordance with plot development, the character＆#39;s emotional change and libretto content, which is a kind of comprehensive application. |
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| Keywords: | Beijing Opera music for voices types of meter for music |
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