| 浅论《红楼梦》中含蓄笔法的运用 |
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| 引用本文： | 曾树桂.浅论《红楼梦》中含蓄笔法的运用[J].唐山学院学报,2004,17(1):60-61. |
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| 作者姓名： | 曾树桂 |
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| 作者单位： | 英德市广播电视大学,广东,英德,513000 |
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| 摘 要： | 曹雪芹很重视含蓄笔法的运用,在《红楼梦》这部巨著中,通过运用双关、谐音和析字等修辞手法以及借物寓意、欲言又止的笔法,产生出"言有尽而意无穷"的艺术效果。
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| 关 键 词： | 红楼梦 含蓄笔法 艺术效果 |
| 文章编号： | 1672-349X(2004)01-0060-02 |
| 修稿时间： | 2003年9月3日 |
The Implicit Writing Technique in Dream of Red House |
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| ZENG Shu-gui.The Implicit Writing Technique in Dream of Red House[J].Journal of Tangshan College,2004,17(1):60-61. |
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| Authors: | ZENG Shu-gui |
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| Abstract: | In his great work Dream of Red House,CAO Xui-qin thought highly of the implicit writing technique.He employed such rhetorical devices as pun,homophone and explanation of words,and implication in natural objects and scenes & checking of saying to produce excellent artistic results of "end of speech & endlessness of message". |
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| Keywords: | Dream of Red House implicit writing technique artistic results |
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