| 敦煌飞天图象的演化 |
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| 引用本文： | 路永泽.敦煌飞天图象的演化[J].安阳师范学院学报,2007(3):144-145. |
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| 作者姓名： | 路永泽 |
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| 作者单位： | 安阳师范学院,美术学系,河南,安阳,455000 |
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| 摘 要： | 在飞天从印度经中亚传入中国的过程中,与道家飞神羽人相结合,逐渐形成有中国文化特色和民族风格的敦煌飞天图象,敦煌飞天的发展始于十六国,终于元代,跨越了十个朝代,历时千余年,现存六千多身,大体可分为雏形期、成熟期、瓜沙曹氏画院时期。
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| 关 键 词： | 飞天 图像 造型 风格 |
| 文章编号： | 1671-5330（2007）03-0144-02 |
| 修稿时间： | 2007-05-09 |
The Development of Painting Feitian in Donghuang |
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| LU Yong-ze.The Development of Painting Feitian in Donghuang[J].Journal of Aayang Teachers College,2007(3):144-145. |
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| Authors: | LU Yong-ze |
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| Institution: | Anyang Normal University, Anyang 455000, China |
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| Abstract: | In the process of transferring the painting Feitian to China,the painting was improved a lot and finally becomes the picture with Chinese special culture and structure in Dong huang.The development of this picture started from 16-state to Yuan dynasty.It went through a thousand years.The whole development can be divided into 3 periods: embryonic,mature and Cao's imperial art academy in Kuasha. |
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| Keywords: | Feitian painting figure style |
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