| 生存的"荒诞"与边缘的"失语"--在贾樟柯的《世界》里游走 |
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| 引用本文： | 郭泽青.生存的"荒诞"与边缘的"失语"--在贾樟柯的《世界》里游走[J].泉州师范学院学报,2006,24(1):115-120. |
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| 作者姓名： | 郭泽青 |
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| 作者单位： | 泉州师范学院,人文学院,福建,泉州,362000 |
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| 摘 要： | 贾樟柯的电影《世界》巧妙选择“世界公园”这样一个有着多重隐喻意味的人造景观作为叙事场所,客观真实地描述了“北漂一族”这一城市边缘人群精神世界迷失的历程。“世界”内外空间场所的反复构建直指了现代人类生存的荒诞性。对电影空间场景的精心营造,对小人物的充分关注,对人生真实性的深刻质疑,构成贾樟柯作品的重要特质,使得贾氏电影具有一种无以伦比的真诚和力量。
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| 关 键 词： | 贾樟柯 边缘空间 荒诞生存 |
| 文章编号： | 1009-8224(2006)01-0115-06 |
| 收稿时间： | 05 21 2005 12:00AM |
| 修稿时间： | 2005年5月21日 |
"Fantasy" of Existence and "Misword" on the Border--Walking in The World by Jia Zhang-ke |
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| GUO Ze-qing."Fantasy" of Existence and "Misword" on the Border--Walking in The World by Jia Zhang-ke[J].Journal of Quanzhou Normal College,2006,24(1):115-120. |
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| Authors: | GUO Ze-qing |
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| Institution: | GUO Ze-qing |
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| Abstract: | Jia Zhang-ke's movie The World selected cleverly artificial scene"World Park",which had multiple metaphor as depicting scene has described lost experience in spiritual world of "the family of northern wandering",a group on the border of city.Repeated construction of inside and outside space of the world demonstrated directly the fantasy of modern people existence.Movie scene constructed elaborately,full attention to nobodies and deep query to life reality have constituted Jia work's important specific and made Jia's movies had incomparable truth and power. |
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| Keywords: | Jia Zhang-ke space on border fantastic existence |
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