| 三维动画中的视知觉与影片表现形式 |
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| 引用本文： | 黄梅娟,徐俊杰.三维动画中的视知觉与影片表现形式[J].安庆师范学院学报(社会科学版),2014(4):133-135. |
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| 作者姓名： | 黄梅娟 徐俊杰 |
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| 作者单位： | 安徽工商职业学院电子信息系;安庆师范学院经济与管理学院; |
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| 摘 要： | 三维动画片与所有影片一样,最终都要通过四边画框(电脑显示屏、电视荧屏或电影银幕)来呈现动态影像。在三维动画创作过程中考虑更多的是如何利用有限的四边封闭空间来组织和排布角色、场景及道具,以求更完美、更有效地向观众传递信息、思想与人生感悟。
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| 关 键 词： | 三维动画 心理力场 完形压强 视知觉 |
Visual Perception and Film Forms of 3-D Animation |
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| Institution: | HUAnG Mei-juan, XU Jun-jie ( 1. Department of Electronic Information, Anhui Business Vocation College, Hefei 231131, Auhui, China; 2. School of Economics and Management, Anqing Teachers College, Anqing 246133, Anhui, China) |
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| Abstract: | Like other films, 3-D animations show dynamic images through the quadrilateral frame （ computer screens, TV screens or projection screens）. In the creation of 3-D animations, designers should consider how to organize and arrange roles, scenes and properties by using limited and enclosed quadrilateral space. More considerations help to deliver messages, thoughts, and reflections on life to the audience perfectly and effectively. |
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| Keywords: | 3-D animation psychological force field gestalt pressure visual perception |
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