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中国古代文学婚爱理想模式的嬗变与终结
引用本文:曹萌. 中国古代文学婚爱理想模式的嬗变与终结[J]. 保定师专学报, 2004, 17(1): 1-5
作者姓名:曹萌
作者单位:沈阳师范大学满族文学研究所,辽宁沈阳110000
摘    要:中国古代婚爱学大体形成了英雄美人、才子佳人、浪子荡妇、男女知音这几个婚爱理想模式,它们的生成与演变构成了中国古代婚爱学的发展史。因此,中国古代婚爱学的发展,实质体现为不同婚爱理想模式在学创作实践中的生成与演变。《红楼梦》在宝、黛爱情描写中所创造并巩固的男女知音婚爱理想模式,是中国古代婚爱学描写的终结。

关 键 词:中国 古代文学 婚爱理想模式 文学创作 文学研究
文章编号:1008-4584(2004)01-0001-05
修稿时间:2003-10-26

The Evolution and End of Ideal Modes of Marriage and Love in Chinese Classical Literature
CAO Meng. The Evolution and End of Ideal Modes of Marriage and Love in Chinese Classical Literature[J]. Journal of Baoding Teachers College, 2004, 17(1): 1-5
Authors:CAO Meng
Abstract:Chinese ancient literature on love and marriage generally forms into the following modes: heroes and beauties, scholars and beauties, loafers and flappers and mutual lovers, whose formation and evolution make up the history of Chinese ancient literature on love and marriage. As a result, the development of Chinese ancient literature on love and marriage in essence embody the formation and evolution of various ideal modes of marriage and love in literary creations. The established firm ideal mutual love between Baoyu and Daiyu, delineated in The Dream of Red Mansions is the end of Chinese ancient literature on love and marriage.
Keywords:The Dream of Red Mansion  love and marriage  mutual lovers  ideal mode  
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