“后屠杀”叙事的两个文本：《金陵十三钗》

随着历史意识的演进、审美观念的变迁,电影艺术的“后屠杀叙事”已成为类型创作的主流,并以鲜明的审美特征与传统的屠杀叙事拉开了距离.从《金陵十三钗》的小说与电影文本的个人化叙事中可见,严歌苓与张艺谋的文本均在参与“屠杀叙事”的过程中建设了自己的主观文本,成为印刻着主观视角并参与进政治的、性别的、大众化等多种话语的“后屠杀”叙事代表,展示了当代艺术思考的多元与丰富.

On Two Versions of Post-Holocaust Narratives -“The Flowers of War”

With people’s ideological progress and the change of aesthetic standard, the“post-holocaust narratives”as a movie art has become the trend of movie creations which goes far away from the traditional holocaustnarratives. The paper states that both YAN Ge- ling （the author of the novel“The Flowers of War”） andZHANG Yi-mou （the director of the movie“The Flowers of War”） have set up their own subjective views in theprocess of constructing“holocaust narratives”in their novel or movie and have become the models of the“postholocaustnarratives”by joining in many kinds of political, gender and mass utterances, which reveals their richand multidimensional thoughts.