| 科尔沁蒙古族的荷包艺术 |
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| 引用本文： | 乌兰托亚,海日汗.科尔沁蒙古族的荷包艺术[J].内蒙古师范大学学报(哲学社会科学版),2006,35(6):103-107. |
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| 作者姓名： | 乌兰托亚 海日汗 |
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| 作者单位： | 内蒙古师范大学美术学院,内蒙古呼和浩特010022 |
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| 摘 要： | 荷包作为一个佩饰，始于蒙古旋游牧社会快速变革的历史时期，广泛用于蒙古族传统服饰的搭配，又以内蒙古东部的科尔沁等地为最。作为一件“器物”。科尔沁荷包不但以自已的方式见证了科尔沁社会发生的变化。而且作为一种造型艺术，荷包的形式也必然会反映处在变革出中的意识形态的某些特征。所以，要想把握科尔沁荷包的艺术特色，也只能是在一种文化的视野下，在文化的特定氛围中才能实现。
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| 关 键 词： | 科尔沁 蒙古族 荷包艺术 |
| 文章编号： | 1001-7623（2006）06-0103-05 |
| 收稿时间： | 2006-09-25 |
| 修稿时间： | 2006-09-25 |
HORQIN MONGOLIANS' CRAFTWORK OF "WALLET" |
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| Wulantuoya, Hairihan.HORQIN MONGOLIANS'''' CRAFTWORK OF "WALLET"[J].Journal of Inner Mongolia Normal University (Philosophy & Social Science),2006,35(6):103-107. |
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| Authors: | Wulantuoya Hairihan |
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| Institution: | Art College, Inner Mongolia Normal University, Huhhot, China 010022 |
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| Abstract: | "Wallet" as an ornament is widely used in the ornament of traditional Mongolian costumes.It originates from the rapid changing historical period of Mongolian nomadic society and is the most popular in Horqin area in the east of Inner Mongolia.As an article of daily use,Horqin "wallet " witnesses the changes of Horqin society,and as a plastic art,"wallet" inevitably reflects the ideology in change.Therefore,in order to understand and master Horqin Mongolians' craftwork of "wallet",it is necessary to examine it from the cultural vision and in certain cultural environment. |
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| Keywords: | Horqin Mongolian the craftwork of "wallet" |
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