| 美感的两极：常规性美与变异性美——《野草》美学内涵分析 |
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| 引用本文： | 古大勇. 美感的两极：常规性美与变异性美——《野草》美学内涵分析[J]. 新疆师范大学学报(哲学社会科学版), 2002, 23(1): 82-86 |
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| 作者姓名： | 古大勇 |
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| 作者单位： | 安徽师范大学,文学院,芜湖,241000 |
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| 摘 要： | 《野草》是鲁迅最具个人化的心灵本。这种个人化是鲁迅融合中外各种艺术营养之后独特的学实验,这就决定了《野草》在美学内涵上,既具备一般散诗的特色,又呈现出超出一般散诗的陌生化的特色。章将其定义为常规性美与变异性美。这两种对立的美分别表现在散诗的语言、意象、艺术构思等方面。
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| 关 键 词： | 鲁迅 教文诗 《野草》 常规性美 变异性美 语言 意象 美学内涵 艺术构思 文学评论 |
| 文章编号： | 1005-9245(2002)01-0082-05 |
| 修稿时间： | 2001-04-04 |
The Extremes of Aesthetic Sense:Beauty of Normality and Beauty of Abnormality |
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| Gu Dayong. The Extremes of Aesthetic Sense:Beauty of Normality and Beauty of Abnormality[J]. Journal of Xinjiang Normal University (Edition of Philosophy and Social Sciences )y and Social Sciences ), 2002, 23(1): 82-86 |
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| Authors: | Gu Dayong |
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| Abstract: | The author analyzes the aesthetic value of Lu Xun's work "Weeds" amd points out it is the text with his individuality. And the author defines the aesthetic value of the text as the beauty of normality and the beauty of abnormality. |
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| Keywords: | Weeds beauty of normality beauty of abnormality language imagery |
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