中国戏曲点燃布莱希特的理论火花：－从“间离效果”“打破第四堵墙”看东方戏剧美学对西方的影响

表现主义戏剧大师布莱希特的核心理论是“间离效果”、“打破第四堵墙”。他的理论直接来源于对中国戏曲实践的认识,是中国（东方）的戏曲美学观对西方戏剧模式的重大影响,布莱希特的理论不是照搬中国戏曲的表现方式,而是将中国戏曲表现方式的精华融入西方戏剧的表现方式,再造出一种全新的表现方式,这种改造和创新展示了世界戏剧发展的方向。布莱希特接受中国戏曲美学的影响主要在用新的编剧观念创作剧本、改革结构编排、借鉴中国戏曲的表现手法和舞台布景的改进等方面,通过这些改进调整了演剧中演员与角色、演员与观众的关系。

The Drama Of China Lights Brecht's Sparks Of Theory

Expressionist Brechfs most important theory is "unfamiliar effect" and "breaking the fourth wall". His theory is directly derived from his understanding of Chinese plays and shows great influence of the aesthetic concepts in China (the Orient) on the West. Brechfs theory not merely copies the modes of expression of Chinese plays, but also blends the best of expression modes of Chinese plays and dramas into the West's, which gives birth to a brand-new mode of expression and shows the developing direction of world's dramas. Brechfs new ideas adjust the relations between the player and the role, the player and the audience.