| 王骥德曲学与佛教中道观 |
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| 引用本文： | 甘生统.王骥德曲学与佛教中道观[J].青海师范大学学报(哲学社会科学版),2010,32(3):92-95. |
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| 作者姓名： | 甘生统 |
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| 作者单位： | 青海师范大学,人文学院,青海,西宁,810008 |
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| 摘 要： | 王骥德的曲学与佛教中道观有着密切关系。这主要表现在：王骥德在论述＂本色＂问题时采用了中观思维方式,描述＂本色＂内涵时又融化了中道观的＂无分别＂理论;在阐释戏曲曲文咏物的作法等问题时则直接运用了佛教中观学的概念、范畴和理论。
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| 关 键 词： | 王骥德 曲学 中道观 本色 |
On Wang Jide's Theory of Opera Theories and Zhongguan Doctrine |
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| GAN Sheng-tong.On Wang Jide's Theory of Opera Theories and Zhongguan Doctrine[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2010,32(3):92-95. |
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| Authors: | GAN Sheng-tong |
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| Institution: | GAN Sheng-tong (Chinese Department, Qinghai Normal University, Xining 810008,China) |
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| Abstract: | There is close relation between Wang Jide＇ opera theories and the Zhongguan Doctrine of Buddhism. It has been shown in such aspects as the way of thinking which Wang Jide discuss the question of ＂true quality＂ , quoting the ＂no distinguishing＂ theory when describe the connotation of ＂true quality ＂,using the notions of Zhongguan Doctrine when interpets the ways how to write opera. |
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| Keywords: | Wang Jide opera Zhongdao doctrine true quality |
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