本位坚守与叙说新创--论20世纪报告文学作家的文体意识

20世纪中国报告学成为坛主流体的辉煌，与报告学作家奉行的体意识密切相关。在本书写与叙说的对象上，坚持以非虚构性为核心的体规范的本位坚守；在探讨写作方式上，不拘一格地进行叙说方式的刨新实验。在这样既矛盾又统一的体意识主导下，一个坚守体本位与锻造体活力的互动之路就生动地呈现在近百年报告学创造的宏伟时空之中。

Defense of Position and Narrative Innovation--Sense of Genre of Reportage Writers in the 20th Century

The splendor of reportage, one of the main - stream genres of 20th century Chinese literature, is closely related to the sense of genre pursued by the reportage writers. In textual writing and narrative object, they stick to the unswerving defense of their position that this genre should remain standardized with non - fiction at the core. In exploring for ways of writing, they follow no set patterns and carry out innovative approaches. Guided by such a sense of genre which is both contradictory and unified, a path along which obstinate defense of position and exercise of genre vitality interact on each other vividly shows itself in the grand time and space created by reportage over the century.