| 自觉·厚度·张力——论汪曾祺散文话语形式 |
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| 引用本文： | 王凤玲. 自觉·厚度·张力——论汪曾祺散文话语形式[J]. 新乡师范高等专科学校学报, 2004, 18(6): 13-15 |
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| 作者姓名： | 王凤玲 |
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| 作者单位： | 河南科技学院,中文系,河南,新乡,453003 |
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| 摘 要： | 由于汪曾祺独特的语言把握方式,其散文话语呈现出独特的审美魅力。摆脱主流语言束缚的审美自觉性,讲究气韵流动的朴实美,具有跳跃性和节奏感的音乐美,富有多重变化的交响美。这些话语特点统合在汪曾祺散文的话语形式中,显示出其成熟的散文话语组织系统的厚度和张力。
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| 关 键 词： | 散文 话语 自觉 厚度 张力 |
| 文章编号： | 1008-7613(2004)06-0013-03 |
| 修稿时间： | 2004-04-26 |
Consciousness· Thickness · Tension--On discourse of Wang Zeng-qi''''s prose |
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| WANG Feng-ling. Consciousness· Thickness · Tension--On discourse of Wang Zeng-qi''''s prose[J]. Journal of Xinxiang Teachers College, 2004, 18(6): 13-15 |
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| Authors: | WANG Feng-ling |
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| Abstract: | The aesthetical consciousness of literature languang showed its character. Because of Wang Zeng-qi's unique language form ,his prose discourse showed special charm. There are four main characteristics in his prose: aesthetical consciousness ,simplicity of lively artistic conception ,musicality of distinctive rhythm and acoustic beauty of variety .Thus these characteristics of language emboded thickness and tension of his mature prose discourse. |
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| Keywords: | : prose discourse consciousness thickness tension |
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