| 论宋代小说伎艺的文本形态 |
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| 引用本文： | 于天池. 论宋代小说伎艺的文本形态[J]. 北京师范大学学报(社会科学版), 2005, 0(3): 73-79 |
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| 作者姓名： | 于天池 |
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| 作者单位： | 北京师范大学,文学院,北京,100875 |
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| 摘 要： | 《醉翁谈录》是宋代说话伎艺人的专业用书,其收录的传奇体文言曾是宋代小说伎艺的语体形态。不仅说话伎艺的语体形态从宋到元明有一个进化累积的过程,小说伎艺的演出程式也有一个进化累积的过程:在叙事体式上,与唐传奇相比,宋代小说删繁就简,掺入大量诗词,模拟细节进一步加强;在演出程式上,宋代小说伎艺虽然形成了某些“举断摸按,师表规模”,但是还没有形成后日所谓“入话”、“正话”、“散场”等程式。
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| 关 键 词： | 宋代小说 小说伎艺 文本形态 |
| 文章编号： | 1002-0209(2005)03-0073-07 |
| 修稿时间： | 2004-12-20 |
The Discourse Pattern of the Novels in Song Dynasty |
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| YU Tian-chi. The Discourse Pattern of the Novels in Song Dynasty[J]. Journal of Beijing Normal University(Social Science Edition), 2005, 0(3): 73-79 |
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| Authors: | YU Tian-chi |
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| Abstract: | Zui Weng Tan Lu (A Collection of Legends by the Old Tippler) is a professional book for narrative artisans in Song Dynasty. The classical Chinese used for the legends collected in the book displays the discourse pattern of Song novels, which, apart from some preliminaries, had not yet developed the "prologue-subject-epilogue" formula that came into full being only in Yuan and Ming Dynasties, whether in discourse format or performance procedure. |
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| Keywords: | novels in Song Dynasty skills in novel creation discourse pattern |
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