| 评贾平凹《高兴》中以喜状悲的美学观 |
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| 引用本文： | 徐祖明. 评贾平凹《高兴》中以喜状悲的美学观[J]. 嘉应学院学报, 2008, 26(4) |
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| 作者姓名： | 徐祖明 |
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| 作者单位： | 清远职业技术学院学报编辑部,广东清远,511510 |
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| 摘 要： | 贾平凹的长篇小说《高兴》,运用以喜状悲的艺术手法,凸现了人物主观愿望与客观实际的巨大反差,彰显了他们命运的悲剧色彩。作者写喜只是手段,只是铺垫,突出悲才是目的,才是正意所在;作品表象言喜,实质写悲;喜中之悲,愈显沉重。因此作品形成了一种独特的以喜状悲的美学艺术,把现实的悲剧和喜剧融合成更深沉、更悲壮的审美形态,开创了美学领域的新境界。
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| 关 键 词： | 主观之喜 客观之悲 喜中之悲 悲上加悲 以喜状悲 美学艺术 |
Aesthetic Art of Delight for Sorrow in Jia Pingwa's Long Novel Happy |
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| XU Zu-ruing. Aesthetic Art of Delight for Sorrow in Jia Pingwa's Long Novel Happy[J]. Journal of Jiaying University, 2008, 26(4) |
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| Authors: | XU Zu-ruing |
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| Affiliation: | XU Zu-ming(Editorial Department of Journal of Qingyuan Polytechnic College; Qingyuan 511510; China); |
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| Abstract: | Jia Pingwa's long novel Happy which uses delight for sorrow to the art practices shows the enormous contrast of the figures' subjective desire and objective reality,and highlights the tragic color of their destiny.The author highlights the sorrow,which is the purpose by taking delight as only a means and a bedding.His work presents delight superficially,but writes sorrow essencely.The more sorrow appears in the happy event,the heavier the work is.Therefore,the work has formed a distinctive aesthetics art of being delighted for sorrow,which has blent the real tragedy and comedy to more deeply and more tragic aesthetic form.The work also opens up a new realm of the field of aesthetics. |
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| Keywords: | subjective delight objective sorrow sorrow in delight adding sorrow on sorrow delight for sorrow aesthetic art |
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