| 试论苏曼殊诗画中的禅佛色彩 |
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| 引用本文： | 吕晓明. 试论苏曼殊诗画中的禅佛色彩[J]. 平原大学学报, 2004, 21(4): 124-125 |
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| 作者姓名： | 吕晓明 |
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| 作者单位： | 平原大学,河南,新乡,453002 |
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| 摘 要： | 人墨客创作的“禅意诗”“禅意画”与禅僧禅心外化的“禅诗”、“禅画”有本质上的区别。苏曼殊诗画带有明显的禅佛色彩，如其诗画里大量出现的禅佛名相以及带有“依我自悟”表征的“我”的形象第一人称代词．进一步强化了其现代禅僧的身份特征。
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| 关 键 词： | 苏曼殊 禅画 禅诗 诗僧 禅佛 |
| 文章编号： | 1008-3944(2004)04-0124-02 |
| 修稿时间： | 2004-05-24 |
The Tinge of Zen-Buddhism in SU Man-shu''''s Poetry and Paintings |
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| LU Xiao-ming. The Tinge of Zen-Buddhism in SU Man-shu''''s Poetry and Paintings[J]. Journal of Pingyuan University, 2004, 21(4): 124-125 |
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| Authors: | LU Xiao-ming |
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| Abstract: | There was an essential distinction sages by secular men. SU Man-shu's poetry and paintings were tinged with Zen - Buddhism. For example, the Zen -Buddhist touch in his use of nouns together with the first -person pronouns indicating his own image and manifesting his " self -awareness by myself " further highlighted his identity as a modern Zen -Buddhist monk. |
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| Keywords: | SU Man -shu monk poet Zen-poetry Zen-painting |
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