| 貌合神离:一笔双叙与轭式搭配 |
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| 引用本文： | 张学祥.貌合神离:一笔双叙与轭式搭配[J].潍坊教育学院学报,2007,20(3):73-75. |
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| 作者姓名： | 张学祥 |
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| 作者单位： | 潍坊学院外国语学院,山东,潍坊,261061 |
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| 摘 要： | 在英语修辞中,轭式搭配与一笔双叙这两个辞格由于表面形式的高度相似而造成了使用上的混乱,国内外修辞学界对这两个辞格并非都清楚地做了区分。从学术的严谨性出发,把它们进行对比区分,使得两者泾渭分明,让使用这些辞格的人不会无所适从是很有必要的。两者都反映了修辞能更有效地表达感情和思想的宗旨,新奇传神,是语言大师们突破常规模式,力求新颖,"语不惊人死不休"执著追求的生动写照。
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| 关 键 词： | 轭式搭配 一笔双叙 表面相似 本质区别 新颖 |
| 文章编号： | 1009-2080(2007)03-0073-03 |
| 修稿时间： | 2007年5月21日 |
Seemingly Harmonious but Actually Different: Zeugma and Syllepsis |
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| Zhang Xuexiang.Seemingly Harmonious but Actually Different: Zeugma and Syllepsis[J].Journal of Weifang Educational College,2007,20(3):73-75. |
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| Authors: | Zhang Xuexiang |
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| Abstract: | Zeugma and Syllepsis have caused much confusion for the users because of their seeming similarities.Not all scholars in this field have distinguished them in a satisfactory way.To be academically precise,it is quite necessary to tell one from the other so as to avoid the mess in application.Characterized by unique creativity and transcendence of the conventionality,the two figures of speech both reflect the language masters' aim of more effective expression of ideas and feelings. |
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| Keywords: | Zeugma Syllepsis superficial similarity essential difference creativity |
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