| 论国画基础教学中的素描问题 |
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| 引用本文： | 康建明.论国画基础教学中的素描问题[J].河北北方学院学报(社会科学版),2002,18(4):52-55. |
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| 作者姓名： | 康建明 |
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| 作者单位： | 张家口师范专科学校美术系,张家口,075028 |
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| 摘 要： | 素描作为中国画的基础教学方式在过去几十年的实践中产生了巨大的积极作用。同时也产生了严重的消极影响。如何使“舶来”的素描“中国化”,使素描与中国画传统的教学手段融为一体,将是广大中国画专业教师应深入探讨并努力解决的课题。
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| 关 键 词： | 素描 中国画 造型意识 基础教学 |
| 文章编号： | 1008-2727(2002)04-052-04 |
| 修稿时间： | 2001年4月20日 |
A Brief about the Sketch in the BasicTeaching of Traditional Chinese Painting |
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| Kang Jianming.A Brief about the Sketch in the BasicTeaching of Traditional Chinese Painting[J].Journal of Hebei North University,2002,18(4):52-55. |
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| Authors: | Kang Jianming |
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| Abstract: | As the basic teaching metho d o f Chinese painting,the sketch has been play ing a g reat po sitiv e ro lein the past few y ears,and simultaneo usly it bring s abo ut serio usly bad effects.Ho w to siniciz e the impo rted sketch and ho w to make the sketch and the Chinese painting be in perfect harmo ny w ill be a task w hich the Chinese paint-ing teachers sho uld study deeply and try their best to finish. |
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| Keywords: | sketch Chinese painting mo delling co nscio usness basic teaching |
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