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当代诗词写作中的入声字废存问题
引用本文:周啸天.当代诗词写作中的入声字废存问题[J].安徽教育学院学报,2009,27(4):30-32.
作者姓名:周啸天
作者单位:四川大学,文学与新闻传播学院,四川,成都,610065
摘    要:当代诗词创作有一个重要问题,就是对入声字还要不要区分。入声不但依然存在于吴、粤、闽、客家等方言中,而且当代诗词创作也是以熟读、感受、研习经典诗词文本为前提的。对经典文本越是熟悉,积淀越是深厚,对入声字的认知越深。入声字和平声字混用,对熟悉经典文本的读者,感觉会相当别扭。《诗韵新编》可资当代诗词创作之参考,因为它依据了现代汉语,又区分出入声字。

关 键 词:当代诗词  入声字  平声字  经典文本

On Abolishment of Entering Characters in Composition of Modern Poetry
ZHOU Xiao-tian.On Abolishment of Entering Characters in Composition of Modern Poetry[J].Journal of Anhui Institute of Education,2009,27(4):30-32.
Authors:ZHOU Xiao-tian
Institution:School of Literature and Journalism;Sichuan University;Chengdu 610065;China
Abstract:one important issue in the current poetry creation is whether we need to differentiate the entering characters.In the writers opinion,we have to not only because the entering characters still remain in some dialects such as Wu,Yue and Min dialects,but also the modern poetry composition is based on close reading,experiencing and studying classical poems.The more familiar with the classical poems,the richer the cultural accumulation is,and the deeper the research about the entering characters.The confusion be...
Keywords:modern poetry  entering characters  flat-toned words  classical text  
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