后喻文化视域下师范类高校音乐专业课程设置存在的问题及思考 |
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引用本文: | 陈重,欧海群.后喻文化视域下师范类高校音乐专业课程设置存在的问题及思考[J].黔南民族师范学院学报,2014(2):120-124. |
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作者姓名: | 陈重 欧海群 |
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作者单位: | 黔南民族师范学院音乐系,贵州都匀558000 |
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摘 要: | 后喻文化是美国人类学家玛格丽特·米德从文化传喻的角度提出的一个解释代沟的概念.后喻文化是指在知识大爆炸的信息时代的今天,前辈们因为开始生活一个他们未知的世界里而不得不向走在掌握新知识前列的后辈学习的文化传喻模式.从文化传喻和代际关系等角度出发,当可明白师范类高校音乐专业课程中的传与受之间的冲突及师生间的代沟产生的主要原因以及这二者对音乐课程设置所带来的影响和改革的必要性.
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关 键 词: | 后喻文化 代沟 师范类高校 音乐专业课程设置 存在问题 变革 |
The Problems and Thoughts of the Music Major Courses Setting from the Post Figurative Culture Perspective |
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Institution: | CHEN Zhong, OU Hai- qun ( Dept. of Music, Qiannan Normal College for Nationalities, Duyun558000, China) |
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Abstract: | The Post Figurative Culture is a concept to interpret the generation gap proposed by the American anthropologist Margaret Mead from the cultural metaphor perspective, which is a cultural model where the predecessors have to learn from their descendants who master the new knowledge. From the perspectives of cultural metaphor and gap relationship between generations, the paper probes the conflicts between the instructing and learning as well as the generation gap between teachers and students, the influence brought by the above two and the necessity to reform the setting of music major courses in normal colleges. |
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Keywords: | the Post Figurative Culture generation gap normal colleges the setting of music major courses the existing problems reform |
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