| 近体诗的平仄 |
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| 引用本文： | 许征. 近体诗的平仄[J]. 新疆教育学院学报, 2007, 23(3): 71-73 |
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| 作者姓名： | 许征 |
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| 作者单位： | 新疆师范大学中文系,新疆,乌鲁木齐,830054 |
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| 摘 要： | 从节拍的划分、节拍内部的平仄、节拍之间的平仄、出句与对句的平仄、粘的平仄五个方面简明扼要地介绍了近体诗平仄搭配的规则;强调区分四字节、三字尾、常式、变式的重要性;纠正了教科书和名家著述中顾此失彼互相矛盾的说法;指出近体诗的格律不须背诵,是可以根据几条简单的规则推导的。
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| 关 键 词： | 近体诗 节拍 平仄 粘 对 |
| 文章编号： | 1008-3588（2007）03-0071-03 |
| 修稿时间： | 2007-04-15 |
The Level and Oblique Tones of Modern-style Poetry |
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| Xu Zheng. The Level and Oblique Tones of Modern-style Poetry[J]. Journal of Xinjiang Education Institute, 2007, 23(3): 71-73 |
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| Authors: | Xu Zheng |
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| Affiliation: | Chinese Department,Xinjiang Normal University, Urumqi 830054 Xingjiang |
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| Abstract: | This paper briefly introduces the matching rules of level and oblique tones in regulated verse from the following points:the division of metre,the level and oblique tones of the internal metre,the level and oblique of quatrain,the level and lique tones of"nian".It stresses the importance of distin- guishing four bytes,three tails,variant style,and common style.It also corrects the unbalanced and paradoxical wording in textbooks and famous works,pointing out that the metre of the regulated verse can be derived from a few simple rules,so it's unnecessary for us to recite it. |
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| Keywords: | modern style poetry,metre,level and oblique tones," nian" (the relationship of the second sentence in the first pair and the first sentence in the second pair)," dui" (the opposite level and oblique tones of the second,fourth,and sixth words in the first and second sentence of the first pair), |
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