| 绘画在唐代的传播和效应 |
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| 引用本文： | 梁晓霞.绘画在唐代的传播和效应[J].运城学院学报,2011,29(1):102-105. |
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| 作者姓名： | 梁晓霞 |
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| 作者单位： | 上海师范大学人文与传播学院,上海,200234 |
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| 摘 要： | 绘画在唐代的传播可以分为画家首次发送自己画作的初始传播和画作流布社会之后发生的大众二次传播。唐代画家传播自己的画作除了靠赠送成品外,也常通过现场作画来达到其传播目的。社会大众对绘画的二次传播则可分为原作性传播、仿作性传播和评论性传播。唐代绘画传播的过程客观上对绘画本身、画家乃至唐代士人甚至民众都产生了不可小觑的影响,并形成了审美、教育、经济、交流等多方面的效应。
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| 关 键 词： | 绘画 唐代 传播方式 传播思想 传播效应 |
The Spread and Effect of Painting during the Tang Dynasty |
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| LIANG Xiao-xia.The Spread and Effect of Painting during the Tang Dynasty[J].JOURNAL OF YUNCHENG UNIVERSITY,2011,29(1):102-105. |
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| Authors: | LIANG Xiao-xia |
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| Institution: | LIANG Xiao-xia(Humanities and Communication College,Shanghai Normal University,Shanghai 200234,China) |
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| Abstract: | The spread of painting during the Tang Dynasty was of two kinds: the initial painter's spread of the painting when the painter first released it and the second-time mass spread of the painting after it was disseminated into the society.The painters spread their paintings by presenting to others and by drawing in scene.The second time mass spread could be the spread of the original painting,the spread of the duplicated painting and the critical spread.The spread of painting during the Tang Dynasty had a grea... |
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| Keywords: | painting the Tang Dynasty mode of spreading spreading ideas the spreading effect |
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