| 醇雅论与神韵说之比较 |
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| 引用本文： | 李瑞卿. 醇雅论与神韵说之比较[J]. 山西师大学报(社会科学版), 2004, 31(4): 68-72 |
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| 作者姓名： | 李瑞卿 |
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| 作者单位： | 北京第二外国语学院国际传播学院 北京100024 |
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| 摘 要： | 朱彝尊认为醇雅之美的核心是道德之美,是儒者人格和学养在作品中的艺术显现。它与王士祯标举的"神韵"之美大异其趣。神韵则是诗人追求的诗歌妙境,是对世界的感悟。神韵指向妙理,醇雅则坚守品格。醇雅论与神韵说的提出来源于不同的文学史观念和诗学策略。
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| 关 键 词： | 醇雅 儒者精神 神韵 人格 宗唐 |
| 文章编号： | 1001-5957(2004)04-0068-05 |
| 修稿时间： | 2004-05-15 |
The Comparative Study of Chunya and Shenyun |
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| LI Rui-qing. The Comparative Study of Chunya and Shenyun[J]. Journal of Shanxi Teachers University, 2004, 31(4): 68-72 |
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| Authors: | LI Rui-qing |
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| Abstract: | ZhuYiZun believes that the core of the chunya is the noble and perfect moral; it is the artistic representation of the scholar's personality and knowledge. It is quite deferent from the idea of Shenyun held by Wang Shizhen. Shenyun is the wonderful artistic world that the poets pursue and is also the poets' deep understanding and feelings about the world. Shenyun leads to epiphany, while Chunya can lead to integrity and high moral. The theory about Chunya and Shenyun originates from the different concepts of literary history and the poetic strategies. |
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| Keywords: | Chunya scholar spirit Shenyun personality conformity to the composing principles the style and the spirit of the poems in Tang dynasty |
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