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松脱灵魂衣角的坠地者——从女性主义视角看"下半身"诗歌
引用本文:刘玫.松脱灵魂衣角的坠地者——从女性主义视角看"下半身"诗歌[J].楚雄师范学院学报,2007,22(7):30-35.
作者姓名:刘玫
作者单位:南昌大学,江西,南昌,330031
摘    要:"下半身"诗歌创作与身体写作都是以身体感受为写作源泉,以身体感受为内驱动力,表达来自内心深处的欲望.女性用自己的身体为武器,从女性自身的感受中寻找女性特有的话语,抗拒男性话语权.而"下半身"诗人则是对主流意识文化的抗拒,但是"下半身"诗人没有将身体写作作为一种文化来研究,没有使身体写作完成文学性的诗学转换,而最终滑向了纯粹的肉体写作.

关 键 词:身体写作  女性写作  "下半身"写作
文章编号:1671-7406(2007)07-0030-06
修稿时间:2007年4月20日

A Survey on Poetic School of "Fleshy and Sensual Concern" Under the Angle of Feminism View
LIU Mei.A Survey on Poetic School of "Fleshy and Sensual Concern" Under the Angle of Feminism View[J].journal of chuxiong normal university,2007,22(7):30-35.
Authors:LIU Mei
Institution:Department of Chiense, Nanchang University, Nanchang 330031, China
Abstract:The poetic writing headstream and driving force are somatic feels from the deep heart of the two styles of the poetic schools of "fleshy and sensual concern" and body writing.Women using themselves bodies as the writing weapon to seek ask for female own words and to exclude masculine words.However,the poets of "fleshy and sensual concern" dispute to the mainstream ideological culture,but the poets of "fleshy and sensual concern" didn't take the body writing as a culture to study.They didn't allow body writing achieving cultural transition.Consequently,they writing style slide to pure carnal writing.
Keywords:body writing  feminism writing  poetic school of "fleshy and sensual concern"
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