| 试论船山思想中诗歌与音乐的关系 |
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| 引用本文： | 石朝辉,段建辉.试论船山思想中诗歌与音乐的关系[J].山西大学师范学院学报,2013(1):95-98. |
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| 作者姓名： | 石朝辉 段建辉 |
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| 作者单位： | 嘉应学院,广东梅州514015 |
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| 基金项目： | 广东省高校优秀青年创新人才培养计划项目：《当代道德视域下的船山情感论研究》（wym11113） |
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| 摘 要： | 船山对于诗歌与音乐关系的阐释具体表现在三个方面：一、内容上要求一章一意。二、音律上讲求声情。三、诗与乐互为体用,互为表里。从内容到音律,再到两者的相通性,船山认为＂诗乐一体＂具有合理性。这也是船山整体辩证法思想的体现,虽然两者之间也可以存在排斥、分立,但最终是统一的。
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| 关 键 词： | 船山 诗歌 音乐 声情 体用 |
On Relations between Poetry and the Music in Chuanshan Thoughts |
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| SHI Zhao-hui,DUAN Jian-hui.On Relations between Poetry and the Music in Chuanshan Thoughts[J].Journal of Teachers College of Shanxi University,2013(1):95-98. |
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| Authors: | SHI Zhao-hui DUAN Jian-hui |
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| Institution: | (Jiaying University,Meizhou 514015,China) |
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| Abstract: | Chuanshan＇s interpretations of the relations between poetry and music are embodied in three aspects： first,requiring one meaning in one chapter;second,seeking sound and emotions in tonality;and third,the interaction of poem and music as exterior form and interior function.From content to sound and rhythm to closely association,Chuanshan thinks the ＂unity of poem and music＂ is rational,which embodies his integrated dialectic thoughts.Although there may be exclusion and separation between the two,they are ultimately integrated. |
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| Keywords: | Chuanshan poem music sound and emotions form and function |
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