| 清醒与非清醒之间--关于《杜十娘怒沉百宝箱》悲剧的审美意义 |
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| 引用本文： | 龙永红.清醒与非清醒之间--关于《杜十娘怒沉百宝箱》悲剧的审美意义[J].连云港师范高等专科学校学报,2002(1):19-21. |
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| 作者姓名： | 龙永红 |
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| 作者单位： | 南京师范大学文学院,江苏,南京,210097 |
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| 摘 要： | 怒沉百宝箱之前杜十娘的清醒只是一种逃离个体苦难的非清醒意识，因而其自由情感与独立休各的追求走入的是依附封建伦理纲常的死胡同；李甲的出卖使十娘的清醒发生了质的飞跃，在一种感性却坚定的清醒状态中达到了人性升华的理性高度，从而实现了对十娘自觉前形象的一种逆转。本文主要论述的就是杜十娘在这种清醒的杂糅状态之间产生的悲剧审美意义。
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| 关 键 词： | 《杜十娘怒沉百宝箱》 悲剧 审美意义 清醒意识 非清醒意识 自由情感 独立人格 古代文学 |
| 文章编号： | 1009-7740(2002)01-0006-03 |
| 修稿时间： | 2001年9月13日 |
Between Awakening and Half- awakening--on the aesthetic significance of the tragedy Du Shiniang Treasure Box In Fury |
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| LONG Yong-hong.Between Awakening and Half- awakening--on the aesthetic significance of the tragedy Du Shiniang Treasure Box In Fury[J].Journal of Lianyungang Teachers College,2002(1):19-21. |
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| Authors: | LONG Yong-hong |
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| Abstract: | The so-called awakening that Du Shiniang has demonstrated before she sinks the treasure box is actually a non-fundamental consciousness, a strategy she adopts to escape from her sufferings . Therefore, her pursuit of free affection and independent personality is on a dead-end road guided by feudal ethics. In fact, Li Jia's betrayal changes her awakening in nature and makes it reach a rational climax, in a state of firmly sentimental awakening, thus reversing her image before her sinking. The present paper focuses on the tragically aesthetic meaning brought about by state in between awakening and half-awakening. |
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| Keywords: | self-drowning awakening half-awakening reversing |
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