| 敦煌佛曲曲调考述 |
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| 引用本文： | 王定勇.敦煌佛曲曲调考述[J].鄂州大学学报,2004,11(3):55-57. |
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| 作者姓名： | 王定勇 |
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| 作者单位： | 扬州大学,文学院,江苏,扬州,225002 |
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| 摘 要： | 敦煌佛曲的曲调有三个来源。第一，鳊佛教曲调，随佛教传播传入我国，曲词由梵语翻译而来，其中和声亦系译音；第二，中国本土自创典调，曲调既专为佛赞而设，内容也纯为咏叹释门之事；第三，本土既有的民歌曲调，佛教加以利用，以唱经劝世。
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| 关 键 词： | 敦煌 佛曲 鳊佛教曲调 中国 自创典调 民歌曲调 |
| 文章编号： | 1008-9004(2004)03-0055-03 |
Textual Research on the Melody of the Dun-huang Buddhist Songs |
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| WANG Ding-yong.Textual Research on the Melody of the Dun-huang Buddhist Songs[J].Journal of Ezhou University,2004,11(3):55-57. |
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| Authors: | WANG Ding-yong |
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| Institution: | WANG Ding-yong |
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| Abstract: | The melody of Dun-huang Buddhist Songs had three sources. The first is Indian Buddhist melody, which the content was translated from. The second was produced in mainland of China. Both the melody and the content were designed for Buddhism. The third was from folk songs. The Buddhism used it to propagandize itself. |
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| Keywords: | Tun-huang Buddhist Songs Melody |
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