| 论戏剧表演元素在花游项目训练中的借鉴与运用 |
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| 引用本文： | 薛庆民,朱步沂. 论戏剧表演元素在花游项目训练中的借鉴与运用[J]. 南京体育学院学报(社会科学版), 2004, 18(1): 29-32 |
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| 作者姓名： | 薛庆民 朱步沂 |
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| 作者单位： | 南京体育学院竞技体育6系,江苏,南京,210014;江苏省戏剧学校,江苏,南京,210002 |
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| 摘 要： | 当两种不同的表现类型需要寻找共通的训练方法与手的时候，剖析、阐明其不同点和共同点就显得尤其重要。肢体语言的具体化需要内在的情感的支撑，而支配肢体的内心具体性、丰富性则更不可或缺。建立信念感，使情感扩张和延伸外部体现与肢体语言。
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| 关 键 词： | 肢体 语言 体验 信念 |
| 文章编号： | 1008-1909(2004)01-0029-04 |
| 修稿时间： | 2003-11-23 |
On Application and Using for Reference Element of Drama to Synchronized Swimming |
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| XUE Qing-min,ZHU Bu-yi. On Application and Using for Reference Element of Drama to Synchronized Swimming[J]. Journal of Nanjing Institute of Physical Education, 2004, 18(1): 29-32 |
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| Authors: | XUE Qing-min ZHU Bu-yi |
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| Affiliation: | XUE Qing-min~1,ZHU Bu-yi~2 |
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| Abstract: | In this paper,the author compares the drama with Synchronized Swimming,and thinks that most of the training methods in drama can be used in Synchronized Swimming's training,because of the same art element they all have. |
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| Keywords: | limbs and trunk language experience belief |
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