一个故事的三个“版本”——《寺门之前》《摩伽的试探》《鸠摩罗什》与精神分析学的中国化

冯至的《寺门之前》,叶灵凤的《摩伽的试探》和施蛰存的《鸠摩罗什》,这三篇作品中包含着同一个情节模式,即欲望与文明(宗教)之间的冲突。这一主题直指19世纪末20世纪初在西方兴起的弗洛伊德精神分析学说的核心。在三篇作品中,作家通过笔下人物所反映出的道德立场各不相同,依次呈现为崇理抑欲、崇欲抑理和欲理并重。这不同的道德取向,实际上是一个精神分析理论中国化的问题,从纵向的时间顺序来看,它们甚至构成了一个流程,显示了把心理分析学说运用于中国现代文学创作的渐趋成熟。

Three Editions of the Same Story--In Front of the Temple Door,Trial to Moja,Jumoloshy and the Psycho-Analysis Theory

Three works including In Front of the Temple Door by Feng Zhi,Trial to Moja by Ye Ling-feng and Jumoloshy by Shi Zhe-cun present the same story mode which is the conflict between eros and civilization. The theme is just the core of the psycho-analysis theory derived from the end of the 19'century. In the three works, the moral stand of the writers showed from their heros is different. Feng Zhi focus on the sensibility, Ye Ling-feng pays attention to the eros and Shi Zhe-cun wants to find the equivalent between sensibility and eros. In fact, the difference becomes an important problem which is how to use the psycho-analysis theory in writing in China. It even makes a changing track of creating. The three writers accomplish the maturity of Chinese modern psycho-analysis literature together.