| 从东西方绘画艺术看图示的继承和发展 |
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| 引用本文： | 管瑞庭.从东西方绘画艺术看图示的继承和发展[J].毕节学院学报,2007,25(2):118-121. |
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| 作者姓名： | 管瑞庭 |
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| 作者单位： | 西北师范大学美术学院,甘肃,兰州,730070 |
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| 摘 要： | 图示是基于创作主体情感与精神意图对客观世界进行的重新构造。东西方绘画优秀的图示和程式是促进绘画发展的重要因素。图示传统是经过时代的发展而嬗变,不同时代之间存在着历史的继承关系。艺术家对传统图示的继承并创新反映了新时代对图像的新要求。正确对待优秀的传统图示,在继承中求革新创造,这是绘画艺术发展的关键。
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| 关 键 词： | 图示 公式 共相 程式化 |
| 文章编号： | 24411418 |
| 修稿时间： | 01 5 2007 12:00AM |
Viewing the Inheritance and Development of Figures from Eastern and Western Painting |
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| GUAN Rui-ting.Viewing the Inheritance and Development of Figures from Eastern and Western Painting[J].Journal of Bijie University,2007,25(2):118-121. |
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| Authors: | GUAN Rui-ting |
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| Institution: | Art School of Northwest Normal University, Lanzhou, Gansu730070, China |
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| Abstract: | A figure made by the painter with an emotional and spiritual aim represents a renewable structure for objective existence.The best figures in eastern or western countries play an important part in the development of painting.They change throughout the ages and are not the same in different periods of time.A fresh figure made by the artist expresses the demands of the new age. |
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| Keywords: | Figure Formula Same Form Procedures |
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