晚翠的诗情——论汪曾祺晚期小说诗化的途径

“诗化”是汪曾祺晚期创作最重要的特质,它没有指向现代主义的诗学范畴,而更多地指古典主义的诗的意蕴或意境。本文关注的是作者如何通过特定的文体(短篇小说)表达“诗化”,或者说是作者呈现、咏叹、追问的“表达式”。汪曾祺晚期小说“诗化”实现的途径是:“时间”对“诗化”的影响:“无时间”带来的恒常感以及“空白”造成的节奏和诗意想象的空间;“回忆”的功能和“乡土”的意义:回忆中的“乡土”既是诗意的源泉,对于“乡土”的想象和故意渲染则成为诗化的策略;日常叙事下的“诗化”:对于真实人生的诗性把握和隐藏于日常化叙事背后的生命悲情使“诗化”得以实现。

On the Poetical Approaches of Wang Zeng-qi's Later Stories

Poeticizing is the most important specialty in Wang Zeng-qi's later creation.Poeticizing here,instead of referring to the poetic category of modernism,is concerned with the classic prospects of the poetry.What has been focused on in this article is how the writer expresses "poeticizing" through short stories,a specific literary form;in another term,what the writer's "presentation" of demonstrating,chanting and inquiring was.This article intends to discuss the realization of "poeticizing" from three aspects: first,the impact of "time" on "poeticizing"(namely,the permanent feeling brought up by "the absence of time being" and the rhythm and poetical imagination created by "blank");second,the function of "recalling" and the signification of "local color"(local color in recalling is the origin of poetry,so writer's designed imagination and romance of local color become a resource of poeticizing);third,"poeticizing" in daily narration(the poetical handling of real life and the writer's pathos for life hiding behind daily narration brought about "poeticizing").