| “解构”与“重构”：现代文学语言“陌生化”的要义 |
| |
| 引用本文： | 余松. “解构”与“重构”：现代文学语言“陌生化”的要义[J]. 云南师范大学学报(哲学社会科学版), 2001, 33(2): 100-103 |
| |
| 作者姓名： | 余松 |
| |
| 作者单位： | 云南师范大学文学与新闻传播学院，云南 昆明 650092 |
| |
| 摘 要： | 文学语言“陌生化”的要义是解构语言能指与所指间习惯性、固定性、自动化的意指关系，摆脱由语言建立起来的习以为常的知觉经验，把语言置于重新命名的背景中，借以重构它的感性内涵，形成新的意义指向。
|
| 关 键 词： | 文学语言；陌生化；解构；重构 |
| 文章编号： | 1000-5110(2001)02-0100-04 |
| 修稿时间： | 2000-07-10 |
Deconstruction and reconstruction |
| |
| YU Song. Deconstruction and reconstruction[J]. Journal of Yunnan Normal University(Philosophy and Social Sciences Edition), 2001, 33(2): 100-103 |
| |
| Authors: | YU Song |
| |
| Abstract: | The literary language ostranenie there is great significance. It gets rid of habitual and roboticized signification of language significant and language signifies, and breaks away from habitual language perceptual experience. It parks language in rename background. This is the reconstruction of language sensibility meaning. It forms new content point. |
| |
| Keywords: | literary language ostranenie deconstruction reconst ruction |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
