| 意境与意象两种至境艺术形象的审美差异 |
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| 引用本文： | 姚爱斌. 意境与意象两种至境艺术形象的审美差异[J]. 安庆师范学院学报(社会科学版), 2000, 0(5) |
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| 作者姓名： | 姚爱斌 |
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| 作者单位： | 安徽大学哲学系!安徽合肥230032 |
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| 摘 要： | 意境和意象是至境艺术形象的两个并列的理论范畴。两者之间的审美差异主要表现在五个方面 :意蕴的情韵悠长与思致隐奥 ,质地的空灵透莹与朦胧幽晦 ,气势的飞动流转与凝重沉滞 ,形态的清水芙蓉与笔补造化 ,心意的直觉圆融与玄思穷究
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| 关 键 词： | 至境艺术形象 意境 意象 审美差异 |
Differences of Aesthetic Appreciation between the Two Art Forms:Mood and Images |
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| YAO Ai bin. Differences of Aesthetic Appreciation between the Two Art Forms:Mood and Images[J]. Journal of Anqing Teachers College(Social Science Edition), 2000, 0(5) |
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| Authors: | YAO Ai bin |
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| Abstract: | Mood and images are two connected theoretical categories of art forms.The differences of their aesthetic appreciation exist in the following five aspects:implication,character,imposing manner/style and intention. |
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| Keywords: | art form mood image difference of aesthetic appreciation |
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