| 迷失在无序世界——库弗《街边车祸》的后现代写作体验 |
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| 引用本文： | 康兆春.迷失在无序世界——库弗《街边车祸》的后现代写作体验[J].保定师专学报,2006,19(1):26-27. |
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| 作者姓名： | 康兆春 |
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| 作者单位： | 广东工业大学外语学院,广东广州510500 |
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| 摘 要： | 短篇小说《街边车祸》极好地体现了库弗后现代小说的创作特色。作者运用戏仿，大量兼容各种亚文学体裁，跨越了高雅文化和通俗文化的疆界，模糊了幻想和现实的界限，化人物为漂移不定的符号。
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| 关 键 词： | 《街边车祸》 幻想 戏仿 |
| 文章编号： | 1008-4584（2006）01-0026-02 |
| 收稿时间： | 2005-09-28 |
| 修稿时间： | 2005-09-28 |
Lost in a Disordered World: Analyses of Postmodern Writing in Coover's A Pedestrian Accident |
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| KANG Zhao-chun.Lost in a Disordered World: Analyses of Postmodern Writing in Coover''''s A Pedestrian Accident[J].Journal of Baoding Teachers College,2006,19(1):26-27. |
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| Authors: | KANG Zhao-chun |
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| Institution: | School of Foreign Languages, Guangdong University of Technology, Guangzhou 510500, China |
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| Abstract: | Coover's short story A Pedestrian Accident best manifests his postm odern writing feature.Coover has incorporated parody and various types of sub-l iterature genres,transgressed the boundary between high culture and low culture, blurred the line between fantasy and reality,and degraded his character into uncertain signs. |
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| Keywords: | A Pedestrian Accident fantasy parody |
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