| 论中国古典戏剧中梦的表现及其意义 |
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| 引用本文： | 苏晓威,王兆云.论中国古典戏剧中梦的表现及其意义[J].钦州学院学报,2005,20(2):31-34. |
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| 作者姓名： | 苏晓威 王兆云 |
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| 作者单位： | 广西师范大学,中文系,广西,桂林,541004 |
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| 摘 要： | 在古典戏剧中,梦扮演着两种角色,其功能分别是预言指示作用和补偿作用,它们在时空转换、情节推进方面有着巨大作用和差别,相应地带给我们的审美意义也不尽相同。同时,从大的框架下审视梦的符号意义,这些符号使我们对古典戏剧的欣赏模式呈现出一种“石膏模型”式的特点。
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| 关 键 词： | 中国古典戏剧 梦 表现 意义 补偿 符号 |
| 文章编号： | 1008-5629(2005)02-0031-04 |
| 修稿时间： | 2004年12月7日 |
On the Express and its Significance of Dream in the Ancient Chinese Drama |
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| SU Xiao-wei,WANG Zhao-yun.On the Express and its Significance of Dream in the Ancient Chinese Drama[J].Journal of Qinzhou University,2005,20(2):31-34. |
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| Authors: | SU Xiao-wei WANG Zhao-yun |
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| Abstract: | Dream in the ancient Chinese drama acted two kinds of roles, i. e. , prognostic one and compensatory one, which made the great function and difference in the shift of time and space and development of the plots and not the same aesthetic meaning for the audients relevantly. Meanwhile, from a large sense of the symbol meaning of dream, the audients could shape a kind of mode as "plaster model" in appreciating the ancient drama. |
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| Keywords: | ancient Chinese drama dream express significance compensatory symbol |
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